[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"$f57aBIbL1oSuf-J-quzw9C5UvEaXgJ5NZW7-o2XIpyiY":3},{"items":4,"total":204,"page":205,"pageSize":206},[5,32,52,70,90,114,134,158,182],{"number":6,"title":7,"author":8,"authorBirth":9,"authorDeath":10,"slug":11,"bookId":12,"genreRaw":13,"genre":14,"themes":15,"origin":16,"language":17,"yearPublished":18,"yearPublishedTranslation":13,"wordCount":19,"charCount":20,"usRestricted":21,"gutenbergId":22,"gutenbergSubjects":23,"gutenbergCategories":25,"gutenbergSummary":28,"gutenbergTranslators":29,"gutenbergDownloadCount":30,"aiDescription":31},1244,"Suomalaisen taiteen historia pääpiirteissään","Aspelin-Haapkylä, Eliel",1847,1917,"1244-aspelin-haapkyla-eliel-suomalaisen-taiteen-historia-paapiirteissaan","1244__Aspelin-Haapkylä_Eliel__Suomalaisen_taiteen_historia_pääpiirteissään",null,"tietokirja",[],[],"fi",1891,28928,210616,false,51401,[24],"Art, Finnish -- History",[26,27],"Art","History - European","\"SUOMALAISEN TAITEEN HISTORIA PÄÄPIIRTEISSÄÄN\" by Eliel Aspelin-Haapkylä is a historical account focused on Finnish art history, likely written in the late 19th century. The book aims to present a comprehensive overview of the development of Finnish art from the medieval period to more modern times, reflecting artistic expressions significant within Finland's cultural context.  The opening of the text introduces the premise of documenting Finnish art history, addressing the unique challenges and influences faced by Finnish artists due to the country's geographical and historical circumstances. Aspelin-Haapkylä discusses the early interactions between Christianity and art in Finland, emphasizing the church's pivotal role in artistic development during the medieval period. He notes the limitations posed by Finland's environment and resources but highlights the emergence of a distinct national identity in art, suggesting that the creative expression of the Finnish people has gradually flourished alongside their cultural and political evolution. (This is an automatically generated summary.)",[],376,"Katsaus suomalaisen taiteen vaiheisiin keskiajalta 1800-luvun loppupuolelle. Teos käy läpi rakennus-, maalaus- ja kuvanveistotaiteen kehitystä sekä esittelee merkittävimpiä kotimaisia taiteilijoita ja tyylisuuntia eri vuosisadoilla.",{"number":33,"title":34,"author":8,"authorBirth":9,"authorDeath":10,"slug":35,"bookId":36,"genreRaw":37,"genre":14,"themes":38,"origin":39,"language":17,"yearPublished":40,"yearPublishedTranslation":13,"wordCount":41,"charCount":42,"usRestricted":21,"gutenbergId":43,"gutenbergSubjects":44,"gutenbergCategories":46,"gutenbergSummary":48,"gutenbergTranslators":49,"gutenbergDownloadCount":50,"aiDescription":51},1266,"Suomalaisen teatterin historia III","1266-aspelin-haapkyla-eliel-suomalaisen-teatterin-historia-iii","1266__Aspelin-Haapkylä_Eliel__Suomalaisen_teatterin_historia_III","Nousuaika, 1879-93",[],[],1909,113566,756825,51584,[45],"Theater -- Finland",[26,47],"History - Other","\"Suomalaisen teatterin historia 3\" by Eliel Aspelin-Haapkylä is a historical account written in the early 20th century. This volume appears to chart the progress of Finnish theater during the period of 1879 to 1893, focusing on its development, key players, performances, and the cultural significance of theater in Finland during that time. The book likely covers notable figures, specific productions, and the interplay between theater and the rise of Finnish nationalism.  At the start of the book, the narrative reflects on the transition from opera to spoken theater in Finland, specifically noting the positive atmosphere among theater enthusiasts following the conclusion of the opera season in 1879. Correspondence reveals the successful performances and enthusiastic reception of plays like \"Jane Eyre,\" highlighting the growing appreciation for Finnish theater among the public, including audience diversity. Additionally, the text captures the contributions of individuals like Emilie Bergbom and remarks on the collective resolve necessary to uphold the theater as a vital cultural institution during a period marked by financial challenges and a burgeoning national identity. (This is an automatically generated summary.)",[],271,"Teoksen kolmas osa tarkastelee suomalaisen teatterin nousukautta vuosina 1879–1893. Kirja valottaa näytäntökausien tapahtumia, puhenäyttämön kehitystä sekä teatterimaailman vaikuttajien, kuten Kaarlo Bergbomin ja Ida Aalbergin, työtä suomenkielisen näyttämötaiteen vakiinnuttamisessa.",{"number":53,"title":54,"author":8,"authorBirth":9,"authorDeath":10,"slug":55,"bookId":56,"genreRaw":57,"genre":14,"themes":58,"origin":59,"language":17,"yearPublished":60,"yearPublishedTranslation":13,"wordCount":61,"charCount":62,"usRestricted":21,"gutenbergId":63,"gutenbergSubjects":64,"gutenbergCategories":65,"gutenbergSummary":66,"gutenbergTranslators":67,"gutenbergDownloadCount":68,"aiDescription":69},1300,"Suomalaisen teatterin historia IV","1300-aspelin-haapkyla-eliel-suomalaisen-teatterin-historia-iv","1300__Aspelin-Haapkylä_Eliel__Suomalaisen_teatterin_historia_IV","Bergbomin loppukausi. Kansallisteatteri",[],[],1910,73202,469240,52031,[45],[26,47],"\"Suomalaisen teatterin historia IV\" by Eliel Aspelin-Haapkylä is a historical account written in the early 20th century. This work specifically focuses on the later years of Finnish theater, particularly during the time of Kaarlo Bergbom and the National Theater of Finland. It delves into the struggles and achievements of this theater movement, highlighting key figures and events that shaped its development.  The opening of this volume introduces readers to the context of the Finnish theater scene as it unfolds through the seasons from 1893 to 1905. It recounts Kaarlo Bergbom's return to Helsinki and his reunion with friends, along with the challenges faced by the theater, including financial difficulties and the rising competition from a touring group led by actress Ida Aalberg. The text also touches on important themes such as the tension between national loyalty and artistic ambition, illustrated through the reactions of Bergbom and his contemporaries regarding Aalberg's endeavors in the broader theatrical landscape. Throughout this introduction, the author expresses gratitude towards numerous contributors and theater members, setting the stage for a comprehensive exploration of Finnish theatrical history. (This is an automatically generated summary.)",[],328,"Neliosaisen teatterihistoriikin päätösosa käsittelee suomalaisen teatterin vaiheita vuosina 1893–1905. Teos kuvaa Kaarlo ja Emilie Bergbomin johtajakauden loppua, Kansallisteatterin toimintaa sekä merkittäviä näyttelijöitä ja esityksiä. Mukana on myös tietoja teatteritalon rakentamisesta ja taloudesta.",{"number":71,"title":72,"author":8,"authorBirth":9,"authorDeath":10,"slug":73,"bookId":74,"genreRaw":75,"genre":76,"themes":77,"origin":78,"language":17,"yearPublished":79,"yearPublishedTranslation":13,"wordCount":80,"charCount":81,"usRestricted":21,"gutenbergId":82,"gutenbergSubjects":83,"gutenbergCategories":84,"gutenbergSummary":86,"gutenbergTranslators":87,"gutenbergDownloadCount":88,"aiDescription":89},1219,"Suomalaisen teatterin historia II","1219-aspelin-haapkyla-eliel-suomalaisen-teatterin-historia-ii","1219__Aspelin-Haapkylä_Eliel__Suomalaisen_teatterin_historia_II","Puhenäyttämön alkuvuodet ja suomalainen ooppera, 1872-79","naytelma",[],[],1907,104759,711129,51146,[45],[26,47,85],"Plays/Films/Dramas","\"Suomalaisen teatterin historia II\" by Eliel Aspelin-Haapkylä is a historical account written in the early 20th century. The work chronicles the early years of Finnish theatre and the establishment of a national opera from 1872 to 1879. Focusing on the challenges and triumphs faced by the new theatre group, it delves into the contributions of various key figures, particularly Kaarlo Bergbom and his sister Emilie, as well as the enthusiastic reception of their performances.  At the start of the book, the foundation of the Finnish theatre is established, illustrating the initial skepticism it faced from detractors and the passionate support from its advocates. The narrative describes how a small troupe, led by Bergbom, quickly moved into rehearsals shortly after the theatre's formation. It introduces the members of the troupe, showcasing their diverse backgrounds and previous experiences in the performing arts, while highlighting the eagerness of both the actors and the audience for a culturally significant Finnish theatre. The opening sets a tone of determination and national pride as the ensemble prepares for their first performances, marking a turning point in Finland's theatrical landscape. (This is an automatically generated summary.)",[],320,"Historiikki käsittelee Suomalaisen teatterin alkuvaiheita ja suomenkielisen oopperan syntyä vuosina 1872–1879. Teos k\u0004y l\u0004pi ensimm\u0004iset n\u0004yt\u0004nt\u0004kaudet, teatterin perustamiseen liittyneet haasteet sek\u0004 Kaarlo ja Emilie Bergbomin ty\u0004n kansallisen n\u0004ytt\u0004m\u0004taiteen kehityksess\u0004.",{"number":91,"title":92,"author":93,"authorBirth":94,"authorDeath":95,"slug":96,"bookId":97,"genreRaw":98,"genre":99,"themes":100,"origin":101,"language":17,"yearPublished":102,"yearPublishedTranslation":13,"wordCount":103,"charCount":104,"usRestricted":21,"gutenbergId":105,"gutenbergSubjects":106,"gutenbergCategories":107,"gutenbergSummary":110,"gutenbergTranslators":111,"gutenbergDownloadCount":112,"aiDescription":113},3460,"Teatterikirja","Haarla, Lauri",1890,1944,"3460-haarla-lauri-teatterikirja","3460__Haarla_Lauri__Teatterikirja","Kirjoitelmia ja näyttelijäkuvia","muistelmat",[],[],1928,51042,387601,76181,[45],[26,108,109],"Biographies","Essays, Letters & Speeches","\"Teatterikirja :  Kirjoitelmia ja näyttelijäkuvia\" by Lauri Haarla is a collection of theatre essays and actor portraits written in the early 20th century. The volume examines Finnish stage art in both aesthetics and practice, combining critical reflections on drama’s purpose with intimate psychological profiles of actors and discussions of theatre’s organization and craft.  The opening of this collection declares a mission to expand Finland’s sparse theatre literature, especially through psychologically acute actor studies, while also justifying practical essays on theatre as an institution. It begins with a major portrait of Hilda Pihlajamäki as a “priestess of destiny,” contrasting her era with Ida Aalberg’s and praising her extraordinary transformative power, dramatic instinct, and matured depth. An essay on theatre’s “heroic service” then surveys history from classical Greece through the Renaissance and Schiller to modern expressionism, contrasting apollonian passivity with faustian will and arguing for theatre’s moral, personality-centered mission in a time of upheaval. A profile of Aarne Leppänen highlights his exceptional capacity for self-surrender to roles and his range from active romantic heroes to suffering figures, alongside noted limits in rapid, cerebral dialogue. A brief “genesis” of the play Synti roots its inspiration in a childhood vision of innocent suffering and a 17th‑century Finnish setting and idiom. The section closes with a sensitive portrait of Tyyne Juntto—especially her consummate Acacia in Benavente—and the start of a theoretical piece on dramatic imperatives that rejects hazy romanticism and flattening naturalism/realism in favor of a tightened, will-driven, expressionist intensity. (This is an automatically generated summary.)",[],234,"Kokoelma teatteriaiheisia esseitä ja kirjoituksia, jotka tarkastelevat suomalaista näyttämötaidetta 1920-luvulla. Teos sisältää psykologisia muotokuvia aikakauden tunnetuista näyttelijöistä sekä pohdintoja teatterin asemasta ja kehitystarpeista itsenäisessä Suomessa.",{"number":115,"title":116,"author":117,"authorBirth":118,"authorDeath":119,"slug":120,"bookId":121,"genreRaw":13,"genre":76,"themes":122,"origin":123,"language":17,"yearPublished":124,"yearPublishedTranslation":13,"wordCount":125,"charCount":126,"usRestricted":21,"gutenbergId":127,"gutenbergSubjects":128,"gutenbergCategories":129,"gutenbergSummary":130,"gutenbergTranslators":131,"gutenbergDownloadCount":132,"aiDescription":133},3017,"Näyttämöltä ja katsomosta","Kivijärvi, Erkki",1882,1942,"3017-kivijarvi-erkki-nayttamolta-ja-katsomosta","3017__Kivijärvi_Erkki__Näyttämöltä_ja_katsomosta",[],[],1918,20141,146013,73067,[45],[26,47,85],"\"Näyttämöltä ja katsomosta\" by Erkki Kivijärvi is a scholarly work published in the early 20th century that explores the history and development of theatrical presentations in Finland. The book likely focuses on various stages of theatrical expression, including medieval spiritual plays, university performances in the 17th century, and modern theater techniques. Kivijärvi delves into the works and influence of Finnish actors and the evolution of different theatrical forms, providing readers with a comprehensive understanding of Finland's theatrical heritage.  The opening of the work introduces the concept of medieval spiritual dramas in Finland, emphasizing the importance of visual storytelling in Christian worship. Kivijärvi explains how these early plays evolved from church rituals and became more accessible to the public, leading to the emergence of various genres such as moralities and miracles. The text discusses how these theatrical forms contributed to the development of Finnish theater, highlighting significant performances and the roles of prominent actors in shaping its identity. This foundational overview sets the stage for a deeper exploration of theatrical art and its significance in Finnish culture. (This is an automatically generated summary.)",[],194,"Kokoelma esseitä ja artikkeleita teatterihistoriasta, näyttämötaiteesta sekä tunnetuista suomalaisista näyttelijöistä. Teos tarkastelee draaman kehitystä keskiajan kirkkonäytelmistä nykyaikaisiin esityksiin ja esittelee merkittäviä teatterialan vaikuttajia.",{"number":135,"title":136,"author":137,"authorBirth":138,"authorDeath":139,"slug":140,"bookId":141,"genreRaw":13,"genre":99,"themes":142,"origin":143,"language":17,"yearPublished":13,"yearPublishedTranslation":144,"wordCount":145,"charCount":146,"usRestricted":21,"gutenbergId":147,"gutenbergSubjects":148,"gutenbergCategories":150,"gutenbergSummary":153,"gutenbergTranslators":154,"gutenbergDownloadCount":156,"aiDescription":157},1875,"Luonto ja ihminen","Ruskin, John",1819,1900,"1875-ruskin-john-luonto-ja-ihminen","1875__Ruskin_John__Luonto_ja_ihminen",[],[],1911,41138,280657,57873,[149],"English essays -- Translations into Finnish",[26,151,109,152],"Environmental Issues","Philosophy & Ethics","\"Luonto ja ihminen: Poimintoja eri teoksista\" by John Ruskin is a collection of essays written in the early 20th century. The work explores the relationship between nature and humanity, reflecting Ruskin's profound thoughts on art, aesthetics, and the moral implications of our interactions with the natural world. Central to this discussion is the thesis that the appreciation of beauty in nature elevates humanity and inspires a deeper ethical consciousness.  The opening of the text delves into the foundations of taste and aesthetics, suggesting that true appreciation arises from patience and a willingness to delve beneath the surface of appearances. Ruskin articulates the challenge of developing refined sensibilities, which, when nurtured, lead to a deeper understanding and connection to the beauty of the world around us. He emphasizes that the pursuit of knowledge should not be purely utilitarian but rather a means of enhancing our spiritual experience and understanding of life's deeper truths. The themes of imagination, memory, and the power of perception are also introduced, laying the groundwork for a more profound exploration of how these elements shape human experience and interaction with nature throughout the book. (This is an automatically generated summary.)",[155],"Lehtonen, J. V. (Johannes Vihtori)",253,"Esseistinen kokoelma sisältää poimintoja englantilaisen John Ruskinin eri teoksista. Teksteissä tarkastellaan taiteen edellytyksiä, luonnon kauneutta ja ihmisen henkistä suhdetta ympäristöönsä. Kirjoitukset painottavat kärsivällisyyttä ja puhdasta havainnointia tienä aitoon makuun ja ymmärrykseen.",{"number":159,"title":160,"author":161,"authorBirth":162,"authorDeath":163,"slug":164,"bookId":165,"genreRaw":13,"genre":14,"themes":166,"origin":167,"language":17,"yearPublished":168,"yearPublishedTranslation":169,"wordCount":170,"charCount":171,"usRestricted":21,"gutenbergId":172,"gutenbergSubjects":173,"gutenbergCategories":176,"gutenbergSummary":177,"gutenbergTranslators":178,"gutenbergDownloadCount":180,"aiDescription":181},3354,"Kaunis ja sen lait","Rydberg, Viktor",1828,1895,"3354-rydberg-viktor-kaunis-ja-sen-lait","3354__Rydberg_Viktor__Kaunis_ja_sen_lait",[],[],1899,1920,45260,327022,58087,[174,175],"Aesthetics","Art -- Philosophy",[26,152],"\"Kaunis ja sen lait\" by Viktor Rydberg is a philosophical treatise focusing on aesthetics, written in the late 19th century. This work derives from lectures given by Rydberg at the University of Gothenburg in 1881, compiling his thoughts on the nature of art, beauty, and their development through human history. The text delves into the fundamental principles underpinning beauty and aesthetics, suggesting a deep interconnection between art, culture, and human consciousness.  The opening portion of the work establishes Rydberg's viewpoint that art and beauty are rooted in a complex interplay of emotional and intellectual currents within humanity. He argues that the essence of art is not random but is intrinsically linked to the development of human thought and aspiration for beauty. At the start, Rydberg emphasizes that humanity's unique capacity for idealism separates it from animals, leading to the creation of art as a conscious pursuit. He posits that as aesthetic impressions evolve through time, they reflect broader cultural and historical contexts, necessitating an understanding of aesthetic judgments in relation to individual and collective human experience. (This is an automatically generated summary.)",[179],"Palola, Eino",259,"Filosofinen teos käsittelee estetiikkaa, taiteen historiaa ja kauneuden perusperiaatteita. Kirjoituksissa tarkastellaan muun muassa taiteen syntyä, värisymboliikkaa sekä kauneuden ja tarkoituksenmukaisuuden suhdetta.",{"number":183,"title":184,"author":185,"authorBirth":162,"authorDeath":60,"slug":186,"bookId":187,"genreRaw":13,"genre":99,"themes":188,"origin":189,"language":17,"yearPublished":190,"yearPublishedTranslation":191,"wordCount":192,"charCount":193,"usRestricted":21,"gutenbergId":194,"gutenbergSubjects":195,"gutenbergCategories":198,"gutenbergSummary":199,"gutenbergTranslators":200,"gutenbergDownloadCount":202,"aiDescription":203},3618,"Mitä on taide?","Tolstoi, Leo","3618-tolstoi-leo-mita-on-taide","3618__Tolstoi_Leo__Mitä_on_taide",[],[],1897,1898,43217,297798,76972,[196,197],"Arts -- Philosophy","Arts and morals",[26,109,152],"\"Mitä on taide?\" by graf Leo Tolstoy is a philosophical treatise written in the late 19th century. It examines what art is, why it matters, and whom it should serve, sharply challenging the era’s worship of “beauty” and the prestige institutions of opera, ballet, museums, and criticism. The work pushes toward an ethical, socially grounded understanding of art rather than elite entertainment.  The opening of the work portrays a world saturated with arts coverage and lavishly funded cultural institutions, then contrasts this with the exhausting, demeaning labor behind a fashionable opera rehearsal—petty tyrannies, empty spectacle, and a trivial, artificial plot—while calling ballet’s erotic display immoral. From there it asks who benefits from such “art,” whether its vast costs are justified, and why criticism is so contradictory. It questions the common identification of art with “beauty,” noting how the term stretches absurdly to cooking, dress, and even smell and touch, and then surveys a cacophony of aesthetic theories (from Baumgarten and Winckelmann through Kant, Schiller, Fichte, Schelling, Hegel, Herbart, Schopenhauer, and others) to show their incompatibility and obscurity. The start thus sets up a rigorous inquiry by demonstrating that current definitions of art and beauty are confused, unstable, and ethically unmoored. (This is an automatically generated summary.)",[201],"Aalberg, Jalmari",184,"Esseeteos tarkastelee taiteen olemusta, tarkoitusta ja eettistä merkitystä yhteiskunnassa. Kirjoittaja arvostelee aikansa taideinstituutioita ja painottaa taiteen tehtävää välittää tunteita sekä yhdistää ihmisiä. Pohdinnat ulottuvat esteettisistä kysymyksistä aina taiteen tekemisen vaatimiin inhimillisiin uhreihin asti.",9,1,24]