[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"$fkQ4rVIgqeZdT0z_KIrFB9AFKju6CyItb9Tn9PyMZYrc":3},{"items":4,"total":135,"page":136,"pageSize":137},[5,34,56,79,98,117],{"number":6,"title":7,"author":8,"authorBirth":9,"authorDeath":10,"slug":11,"bookId":12,"genreRaw":13,"genre":14,"themes":15,"origin":17,"language":18,"yearPublished":19,"yearPublishedTranslation":20,"wordCount":21,"charCount":22,"usRestricted":23,"gutenbergId":24,"gutenbergSubjects":25,"gutenbergCategories":27,"gutenbergSummary":30,"gutenbergTranslators":31,"gutenbergDownloadCount":32,"aiDescription":33},1195,"Kyökissä","Benedix, Roderich",1811,1873,"1195-bendix-roderich-kyokissa","1195__Bendix_Roderich__Kyökissä","Huvinäytelmä 1:ssä näytöksessä","naytelma",[16],"huumori",[],"fi",1858,1896,7817,45469,false,38908,[26],"German drama (Comedy) -- Translations into Finnish",[28,29],"Humour","Plays/Films/Dramas","\"Kyökissä: Huvinäytelmä 1:ssä näytöksessä\" by Roderich Benedix is a theatrical play written in the late 19th century, likely during the late 1800s. This comedy revolves around the lives of domestic workers in a wealthy household, exploring themes of love, ambition, and social class through their interactions and conflicts. The narrative captures a slice of life that highlights both the struggles and aspirations of those working below the social elite.  The play is set mainly in the kitchen of a grand house where characters like Juho, the stable hand, and Hanna, the kitchen maid, navigate their budding romance amidst the chaos of household duties and the machinations of their co-workers. As tension rises due to jealousy and competition among the servants, this light-hearted narrative unfolds to reveal their dreams and desires for a better life. A turn of fortune, represented by a lottery win, brings hope and a potential change in their fates, underscoring the playful yet poignant examination of class dynamics and personal relationships in a hierarchical society. (This is an automatically generated summary.)",[],273,"Yksinäytöksinen huvinäytelmä sijoittuu varakkaan helsinkiläiskodin keittiöön. Talon palvelusväki, kuten lakeija, kamarineiti ja keittiöpiika, selvittelevät keskinäisiä suhteitaan, lemmenasioitaan ja arkisia sattumuksiaan aamutoimien ja kahvinkeiton lomassa.",{"number":35,"title":36,"author":8,"authorBirth":9,"authorDeath":10,"slug":37,"bookId":38,"genreRaw":39,"genre":14,"themes":40,"origin":41,"language":18,"yearPublished":42,"yearPublishedTranslation":43,"wordCount":44,"charCount":45,"usRestricted":23,"gutenbergId":46,"gutenbergSubjects":47,"gutenbergCategories":50,"gutenbergSummary":51,"gutenbergTranslators":52,"gutenbergDownloadCount":54,"aiDescription":55},1442,"Hellät sukulaiset","1442-benedix-roderich-hellat-sukulaiset","1442__Benedix_Roderich__Hellät_sukulaiset","Huvinäytelmä kolmessa näytöksessä",[],[],1861,1878,16559,104328,53570,[48,49],"Comedy plays","German drama -- Translations into Finnish",[29],"\"Hellät sukulaiset: Huvinäytelmä kolmessa näytöksessä\" by Roderich Benedix is a dramatic play written in the late 19th century. The story unfolds in a familial setting, centering on the characters revealed to be part of a complex household, including Oswald Barnau, his relatives, and a servant named Thusnelda. Themes of familial responsibility, longing, and the contrast between social classes seem to permeate the narrative.  At the start of the play, Thusnelda reflects on her father’s long absence, expressing her hopes and mourning his departure ten years earlier. In this lively household filled with women, a comedic atmosphere emerges as characters engage in banter, revealing their relationships and creating a sense of tension. Thusnelda interacts with Dietrich, who playfully demands kisses from her, showcasing the lighter notes amidst moments of familial duty and introspection. The return of Oswald Barnau marks a turning point, introducing anticipation and the promise of deeper connections as Thusnelda's longing to be recognized as part of the family is highlighted. This opening establishes both character dynamics and the play’s exploration of societal roles within the familial framework. (This is an automatically generated summary.)",[53],"Törmänen, C. Edv.",291,"Kolminäytöksinen saksalainen huvinäytelmä sijoittuu Barnaun kartanoon, jossa perhesuhteet ja menneisyyden tapahtumat ohjaavat juonta. Tarina alkaa palvelusneito Thusneldan muistellessa kymmenen vuotta sitten kadonnutta isähahmoaan. Teos yhdistää koomisia tilanteita ja sukulaisrakkautta kepeässä hengessä.",{"number":57,"title":58,"author":8,"authorBirth":9,"authorDeath":10,"slug":59,"bookId":60,"genreRaw":61,"genre":14,"themes":62,"origin":63,"language":18,"yearPublished":65,"yearPublishedTranslation":66,"wordCount":67,"charCount":68,"usRestricted":23,"gutenbergId":69,"gutenbergSubjects":70,"gutenbergCategories":72,"gutenbergSummary":74,"gutenbergTranslators":75,"gutenbergDownloadCount":77,"aiDescription":78},3486,"Kassan avain","3486-benedix-roderich-kassan-avain","3486__Benedix_Roderich__Kassan_avain","Ilveilys yhdessä näytöksessä",[16],[64],"saksalainen",1864,1869,3467,20356,76227,[48,49,71],"One-act plays",[73,28,29],"German Literature","\"Kassan avain :  Ilveilys yhdessä näytöksessä by Roderich Benedix\" is a one‑act farce written in the mid‑ to late 19th century. The play centers on a young marriage tested by money troubles, secrecy, and social expectations, exploring themes of trust, authority in the household, and the balance between propriety and adult freedom.  Adolf staggers in after a late night, hungover and panicked: he has lost money at cards and owes 120 thalers to a pushy ex‑captain who threatens public exposure if not paid by noon. The cashbox key is with his wife, Leopoldine, so he fumbles for excuses to get it while she grows suspicious—especially after discovering a hidden jewelry case she fears is meant for a secret lover. Their maid, Katri, bluntly criticizes the household for treating Adolf like a boy, stoking Leopoldine’s doubts. Pressed by time, Adolf finally admits the gambling loss; Leopoldine promptly gives him the key so he can pay, and he sends the money. He then reveals the hidden case holds a bracelet meant as her upcoming birthday gift, moving her to tears and dissolving her suspicions. Reconciled, Leopoldine declares him master of the house, hands him the cashbox key for good, and encourages a healthier, more adult balance in their life together; Katri, relieved, decides to stay. (This is an automatically generated summary.)",[76],"Heimo, Teno",245,"Yksinäytöksinen hupailu kuvaa samppanjajuhlien jälkeistä aamua, jolloin nuori aviomies Adolf yrittää peitellä krapulaansa vaimoltaan ja palvelijaltaan. Tilanne kehittyy koomiseksi selittelyksi, kun kassan avain ja edellisillan tapahtumat aiheuttavat päänvaivaa.",{"number":80,"title":81,"author":8,"authorBirth":9,"authorDeath":10,"slug":82,"bookId":83,"genreRaw":84,"genre":14,"themes":85,"origin":86,"language":18,"yearPublished":65,"yearPublishedTranslation":87,"wordCount":88,"charCount":89,"usRestricted":23,"gutenbergId":90,"gutenbergSubjects":91,"gutenbergCategories":92,"gutenbergSummary":93,"gutenbergTranslators":94,"gutenbergDownloadCount":96,"aiDescription":97},3588,"Palvelusväkeä","3588-benedix-roderich-palvelusvakea","3588__Benedix_Roderich__Palvelusväkeä","Yksinäytöksinen huvinäytelmä",[16],[64],1913,5956,34371,76729,[48,26,71],[73,28,29],"\"Palvelusväkeä :  Yksinäytöksinen huvinäytelmä by Roderich Benedix\" is a one-act comedic play, most akin to a light social farce, likely written in the late 19th century. Set entirely in a manor house kitchen, it explores the lives of servants—flirtations, jealousy, gossip, and superstition—leading to a sudden stroke of luck that reshapes their futures.  In the kitchen bustle, maid Hanna and stablehand Pekka are engaged, but the bookkeeper Aukusti flirts with Hanna, provoking the spiteful jealousy of the lady’s maid Anna. Slander travels upstairs: Pekka is summarily dismissed (under the pretext of a lame horse), and Hanna is fired for supposed impropriety. Ristiina the cook, guided by a vivid dream, splits a raffle ticket with Hanna; soon Reetta brings news that their ticket has won a major prize. Fortune reverses the injustice: Pekka and Hanna can now marry and start a life of their own, while the steady coachman Juronen—long prudent and patient—proposes to Ristiina, and they plan to open a well-run eatery. Amid banter and quick turns, camaraderie and chance triumph over malice and class-bound pettiness. (This is an automatically generated summary.)",[95],"Piirinen, E.",1658,"Yksinäytöksinen huvinäytelmä sijoittuu herraskartanon keittiöön, jossa palvelusväki puuhailee aamutoimissaan. Hanna ja Pekka pohtivat suhdettaan ja tulevaa avioliittoa kahvinkeiton lomassa.",{"number":99,"title":100,"author":8,"authorBirth":9,"authorDeath":10,"slug":101,"bookId":102,"genreRaw":61,"genre":14,"themes":103,"origin":104,"language":18,"yearPublished":105,"yearPublishedTranslation":106,"wordCount":107,"charCount":108,"usRestricted":23,"gutenbergId":109,"gutenbergSubjects":110,"gutenbergCategories":111,"gutenbergSummary":112,"gutenbergTranslators":113,"gutenbergDownloadCount":115,"aiDescription":116},410,"Riita-asia","410-benedix-roderich-riita-asia","410__Benedix_Roderich__Riita-asia",[16],[],1849,1895,5400,32135,26926,[26],[28,29],"\"Riita-asia: Ilveilys yhdessä näytöksessä\" by Roderich Benedix is a play that captures the intricacies of a legal dispute, likely written during the late 19th century. This comedic drama revolves around the tensions and absurdities that arise from a conflict over property rights, specifically a disputed fish pond. The author explores themes of greed, stubbornness, and the often ridiculous nature of legal battles.  The storyline centers on two main characters, Ruotsila and Lind, who are embroiled in a lengthy feud over a fish pond that has caused considerable strife in their lives. As the two men navigate the legal system, represented by the bumbling lawyer Vingler and their interactions with a peculiar jail environment, their animosity is palpable. The play unfolds with sarcastic humor, showcasing the frustrations and misunderstandings between the characters. Ultimately, as the tension mounts, a humorous resolution emerges, allowing Ruotsila and Lind to reconcile their differences and agree to collaborate for mutual benefit, highlighting the futility of their prolonged dispute and the absurdity of their previous enmity. (This is an automatically generated summary.)",[114],"Ahlqvist, August",288,"Benedixin yksinäytöksinen ilveilys kertoo kahden maalaisisännän ja helsinkiläisen asianajajan välisestä oikeusjutusta. August Ahlqvistin suomentama ja paikallistama hupinäytelmä sijoittuu 1800-luvun Helsinkiin ja hyödyntää tilannekomiikkaa.",{"number":118,"title":119,"author":8,"authorBirth":9,"authorDeath":10,"slug":120,"bookId":121,"genreRaw":122,"genre":14,"themes":123,"origin":124,"language":18,"yearPublished":125,"yearPublishedTranslation":20,"wordCount":126,"charCount":127,"usRestricted":23,"gutenbergId":128,"gutenbergSubjects":129,"gutenbergCategories":130,"gutenbergSummary":131,"gutenbergTranslators":132,"gutenbergDownloadCount":133,"aiDescription":134},514,"Jumalan kiitos, pöytä on katettu!","514-benedix-roderich-jumalan-kiitos-poyta-on-katettu","514__Benedix_Roderich__Jumalan_kiitos_pöytä_on_katettu","Huvinäytelmä yhdessä näytöksessä",[16],[],1851,3635,22073,38133,[26],[28,29],"\"Jumalan kiitos, pöytä on katettu: Huvinäytelmä yhdessä näytöksessä\" by Benedix is a theatrical play written during the late 19th century. This comedic one-act play delves into themes of love and marital dynamics, showcasing relationships in a domestic setting. The events unfold during a breakfast gathering, where the characters engage in charming banter, revealing the nuances of romantic relationships and the playful tensions that arise in daily life.  The story revolves around a family led by Alfred and his wife Emma, who are hosting breakfast for Emma's parents, Salokangas and Katri. The play begins with Heikki and Liisa preparing the table, which leads to a humorous conflict over the phrase, \"Jumalan kiitos, pöytä on katettu\" (\"Thank God, the table is set\"). Heikki insists that Liisa should say this phrase to celebrate their work, while she stubbornly refuses, leading to amusing disputes. The comedic element intensifies as Alfred, after overhearing the argument, playfully challenges Emma to say the phrase as well, igniting a lively debate about obedience and individuality in marriage. Through witty dialogues, the characters explore themes of stubbornness, gender roles, and the nature of affection, culminating in a lighthearted resolution that emphasizes love and reconciliation. (This is an automatically generated summary.)",[],268,"Benedixin yksinäytöksinen huvinäytelmä tarkastelee avioliiton valtataistelua ja itsepäisyyttä. Komedia saa alkunsa vähäpätöisestä vaatimuksesta toistaa tietty lause ruokapöydän ääressä, mikä paisuu periaatteelliseksi kiistaksi vastanaineen pariskunnan ja heidän palvelijoidensa välillä.",6,1,24]