[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"$f1Cs6qLvA1bKK7sFxsUIgO-sx0jFruG0qSF8U4Pjl5sI":3},{"items":4,"total":62,"page":63,"pageSize":64},[5,39],{"number":6,"title":7,"author":8,"authorBirth":9,"authorDeath":10,"slug":11,"bookId":12,"genreRaw":13,"genre":14,"themes":15,"origin":16,"language":19,"yearPublished":20,"yearPublishedTranslation":20,"wordCount":21,"charCount":22,"usRestricted":23,"gutenbergId":24,"gutenbergSubjects":25,"gutenbergCategories":30,"gutenbergSummary":34,"gutenbergTranslators":35,"gutenbergDownloadCount":37,"aiDescription":38},2654,"Soanan kerettiläinen","Hauptmann, Gerhart",1862,1946,"2654-hauptmann-gerhart-soanan-kerettilainen","2654__Hauptmann_Gerhart__Soanan_kerettiläinen",null,"romaani",[],[17,18],"saksalainen","nobel","fi",1918,22960,161783,false,69039,[26,27,28,29],"German fiction -- Translations into Finnish","Outcasts -- Fiction","Priests -- Fiction","Switzerland -- Fiction",[31,32,33],"German Literature","Novels","Nobel Prizes in Literature","\"Soanan kerettiläinen\" by Gerhart Hauptmann is a novel written in the early 20th century. The story unfolds in the picturesque region of Soana, Switzerland, where we are introduced to a mysterious mountain shepherd known as \"Soanan kerettiläinen,\" who possesses an enigmatic past, earning both superstition and respect from the local villagers. The narrative promises to explore themes of isolation, nature, and the tension between traditional beliefs and modernity.  At the start of the novel, we meet travelers seeking to hike Monte Generoso, encountering a distinctive shepherd with a profound yet mysterious demeanor. Locals regard him with a mixture of curiosity and trepidation, and as the protagonist recalls his initial meeting with the shepherd, he becomes intrigued by Ludovico’s unconventional lifestyle and rumored knowledge of nature. This opening section sets the stage for deeper explorations of character, philosophy, and the potential collision of differing worldviews as the protagonist resolves to learn more about the shepherd's life and the hidden narrative he is said to possess. (This is an automatically generated summary.)",[36],"Kupiainen, Alpo",268,"Nuori italialainen pappi Francesco Vela lähetetään syrjäiseen vuoristokylään palauttamaan kerettiläinen perhe takaisin kirkon yhteyteen. Kohdattuaan perheen tyttären hän kuitenkin hylkää askeettisen elämän ja antautuu luonnon ja rakkauden vietäväksi.",{"number":40,"title":41,"author":8,"authorBirth":9,"authorDeath":10,"slug":42,"bookId":43,"genreRaw":44,"genre":45,"themes":46,"origin":47,"language":19,"yearPublished":48,"yearPublishedTranslation":49,"wordCount":50,"charCount":51,"usRestricted":23,"gutenbergId":52,"gutenbergSubjects":53,"gutenbergCategories":55,"gutenbergSummary":57,"gutenbergTranslators":58,"gutenbergDownloadCount":60,"aiDescription":61},3640,"Kankurit","3640-hauptmann-gerhart-kankurit","3640__Hauptmann_Gerhart__Kankurit","5-näytöksinen näytelmä 1840-luvulta","naytelma",[],[17],1892,1906,14906,91299,77079,[54],"German drama -- Translations into Finnish",[31,56],"Plays/Films/Dramas","\"Kankurit :  5-näytöksinen näytelmä 1840-luvulta\" by Gerhart Hauptmann is a play written in the late 19th century. Set among Silesian weavers in the 1840s, it portrays crushing poverty, factory exploitation, and the mounting pressure toward collective defiance. The drama contrasts the hard-nosed mill owner Dreisziger and his agent Pfeifer with weavers like Baumert, Bäcker, Reimann, Heiber, and Ansorge, along with their families.  The opening of the play unfolds in Dreisziger’s cloth-receiving room, where Pfeifer nitpicks faults, docks pay, and refuses advances as gaunt weavers wait in fear; Bäcker openly defies the boss, a starving child collapses, and Dreisziger delivers a self-justifying lecture before wages are cut further. At the start of the second act, in Ansorge’s squalid hut, the Baumert family weaves in exhaustion, a neighbor despairs of her nine children, and we learn they have even slaughtered their dog for food; ex-soldier Jäger arrives, drinks, and recites the fierce “Verituomio” verses that inflame their anger. The third act opens in a tavern, where townspeople argue over the weavers’ plight and the truth of official reports; Bäcker and Jäger enter with a crowd, bruised and singing the seditious song, and despite scoffing by others, the mood among the weavers hardens toward action. (This is an automatically generated summary.)",[59],"Halme, Kaarle",158,"Viisinäytöksinen näytelmä kuvaa Sleesian kankureiden kurjia elinolosuhteita ja nälänhätää 1840-luvulla. Työläisten kasvava tyytymättömyys ja epätoivo purkautuvat lopulta kapinaksi tehtailijoita vastaan. Teos on naturalistinen kuvaus joukkoliikkeestä, jossa yksittäisen sankarin sijaan pääosassa on koko kankuriyhteisö.",2,1,24]